{"id":257,"date":"2021-10-27T10:32:06","date_gmt":"2021-10-27T10:32:06","guid":{"rendered":"https:\/\/blog.nayayinlari.com\/?p=257"},"modified":"2021-10-27T10:37:37","modified_gmt":"2021-10-27T10:37:37","slug":"ozgurluk-tarihi-yunus-cicek","status":"publish","type":"post","link":"https:\/\/blog.nayayinlari.com\/?p=257&lang=tr","title":{"rendered":"\u00d6zg\u00fcrl\u00fck Tarihi-Yunus \u00c7i\u00e7ek"},"content":{"rendered":"<p><strong>\u0130brahim Tikan, Na Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131nlanan &#8220;\u00d6zg\u00fcrl\u00fck Tarihi&#8221; isimli eserinde toplumsal perspektifle sadece bir toplumun ge\u00e7mi\u015fine de\u011fil, ayn\u0131 zamanda tikel \u00f6zg\u00fcrl\u00fck yoksunlu\u011fumuzu mazinin toplumsal \u00f6zg\u00fcrl\u00fck yitiminden su y\u00fcz\u00fcne \u00e7\u0131kar\u0131r<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Tanr\u0131 fikrinin insan varl\u0131\u011f\u0131ndan ger\u00e7ekle\u015fmesini konu edinen \u0130brahim Tikan&#8217;\u0131n &#8220;\u00d6zg\u00fcrl\u00fck Tarihi&#8221; isimli eseri ge\u00e7mi\u015fin derinliklerine k\u00f6k sald\u0131k\u00e7a zindan\u0131n darac\u0131k bir h\u00fccresinde de olsa kendi meyvelerini verdi\u011fine i\u015faret ediyor. Duvarlar\u0131n uza\u011f\u0131 g\u00f6rmeyi k\u00f6rle\u015ftiren maddi yap\u0131s\u0131na kar\u015f\u0131, yazar, ta\u015fla\u015fan uygarl\u0131k zihniyetini g\u00f6r\u00fcr ve duvarlar\u0131 ufkunun inceli\u011fiyle okur. Uygarl\u0131\u011f\u0131n korkun\u00e7 kapatmas\u0131na u\u011frayan yazar, \u00f6zg\u00fcrl\u00fc\u011f\u00fc ge\u00e7mi\u015fin izd\u00fc\u015f\u00fcmlerinde arar. Ge\u00e7mi\u015fi ar\u015f\u0131nlayarak varl\u0131k bilincine kavu\u015fmaya \u00e7al\u0131\u015f\u0131r.<\/p>\n<p>Kitap genelde Ortado\u011fu tarihini, \u00f6zelde K\u00fcrt tarihini ve \u00e7ehresini ele al\u0131rken, olay ve olgular, karakterler m\u00fcthi\u015f bir se\u00e7icilikle ayr\u0131\u015ft\u0131r\u0131lm\u0131\u015f, onlarca kaynaktan ara\u015ft\u0131r\u0131l\u0131p derlenen bilgi k\u0131r\u0131nt\u0131lar\u0131 yazar\u0131n potas\u0131nda yo\u011funla\u015farak yal\u0131n ve romans\u0131 bir tarih okumas\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015f. Tarihsel toplumun ser\u00fcvenini Mezopotamya&#8217;n\u0131n kadim topraklar\u0131n\u0131n hakikat g\u00f6zeneklerinden dam\u0131tarak do\u011fru bir tarih bilgisine ula\u015fmaya \u00e7al\u0131\u015f\u0131r. \u00d6zg\u00fcrl\u00fck sevdas\u0131 kendisini tarihsel anlam aray\u0131\u015f\u0131nda bulurken, mensubiyeti oldu\u011fu toplumsal yap\u0131n\u0131n hakikate en yak\u0131n toplumsal zihniyete, g\u00fczelli\u011fe ve akla sahip oldu\u011funu g\u00f6r\u00fcr ve bunun hu\u015fusunu ya\u015far. O tarihe y\u00f6neldik\u00e7e alg\u0131 g\u00f6zleri a\u00e7\u0131l\u0131r.<\/p>\n<div class=\"google-auto-placed ap_container\"><\/div>\n<p>Yazar tarihsel yolculu\u011funda buldu\u011fu izleri getirip kitab\u0131n\u0131n sat\u0131rlar\u0131na koyar ve okuyucu o izleri takip ederek kendi varl\u0131\u011f\u0131n\u0131n g\u00fczelli\u011fine a\u00e7\u0131l\u0131r. \u00d6zelde K\u00fcrt tarihi konu edilse de, esasen tikel olgunun evrenselle\u015fme seyrini konu edinir. K\u00fcrtlerle evrensel tarihin (toplumsal) ilk kanat \u00e7\u0131rpan kelebekleri olarak kar\u015f\u0131la\u015f\u0131r\u0131z. Toplumsal ger\u00e7ekli\u011fin d\u00fc\u015f\u00fck do\u011furdu\u011fu pi\u00e7le\u015fmi\u015f uygarl\u0131k tanr\u0131s\u0131n\u0131n t\u00fcm yarat\u0131mlar\u0131yla kutsall\u0131klar\u0131ndan soyundu\u011fu ve \u015feytanla\u015ft\u0131\u011f\u0131 \u00f6zg\u00fcrl\u00fck tarihi okumas\u0131nda g\u00f6rebiliyoruz.<\/p>\n<p>\u0130nsan bir tarih karma\u015f\u0131\u011f\u0131d\u0131r. Ge\u00e7mi\u015fe y\u00f6nelen okur yitirilen kendili\u011fini ay\u0131klamaya koyulur, zihninde ve y\u00fcre\u011finde ye\u015feren ayr\u0131k otlar\u0131n\u0131 k\u00f6kten bi\u00e7er. A\u011f\u0131rla\u015ft\u0131r\u0131lm\u0131\u015f m\u00fcebbet hapis cezas\u0131n\u0131 \u00e7ekmekte olan \u0130brahim Tikan, Na Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131nlanan &#8220;\u00d6zg\u00fcrl\u00fck Tarihi&#8221; isimli eserinde toplumsal perspektifle sadece bir toplumun ge\u00e7mi\u015fine de\u011fil, ayn\u0131 zamanda tikel \u00f6zg\u00fcrl\u00fck yoksunlu\u011fumuzu mazinin toplumsal \u00f6zg\u00fcrl\u00fck yitiminden su y\u00fcz\u00fcne \u00e7\u0131kar\u0131r. Kitap ayn\u0131 zamanda Ortado\u011fu halklar\u0131n\u0131n direni\u015f tarihi olarak da okunabilir.<\/p>\n<p><a href=\"http:\/\/\u0130brahim Tikan, Na Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131nlanan &quot;\u00d6zg\u00fcrl\u00fck Tarihi&quot; isimli eserinde toplumsal perspektifle sadece bir toplumun ge\u00e7mi\u015fine de\u011fil, ayn\u0131 zamanda tikel \u00f6zg\u00fcrl\u00fck yoksunlu\u011fumuzu mazinin toplumsal \u00f6zg\u00fcrl\u00fck yitiminden su y\u00fcz\u00fcne \u00e7\u0131kar\u0131r Yunus \u00c7i\u00e7ek* Tanr\u0131 fikrinin insan varl\u0131\u011f\u0131ndan ger\u00e7ekle\u015fmesini konu edinen \u0130brahim Tikan'\u0131n &quot;\u00d6zg\u00fcrl\u00fck Tarihi&quot; isimli eseri ge\u00e7mi\u015fin derinliklerine k\u00f6k sald\u0131k\u00e7a zindan\u0131n darac\u0131k bir h\u00fccresinde de olsa kendi meyvelerini verdi\u011fine i\u015faret ediyor. Duvarlar\u0131n uza\u011f\u0131 g\u00f6rmeyi k\u00f6rle\u015ftiren maddi yap\u0131s\u0131na kar\u015f\u0131, yazar, ta\u015fla\u015fan uygarl\u0131k zihniyetini g\u00f6r\u00fcr ve duvarlar\u0131 ufkunun inceli\u011fiyle okur. Uygarl\u0131\u011f\u0131n korkun\u00e7 kapatmas\u0131na u\u011frayan yazar, \u00f6zg\u00fcrl\u00fc\u011f\u00fc ge\u00e7mi\u015fin izd\u00fc\u015f\u00fcmlerinde arar. Ge\u00e7mi\u015fi ar\u015f\u0131nlayarak varl\u0131k bilincine kavu\u015fmaya \u00e7al\u0131\u015f\u0131r. Kitap genelde Ortado\u011fu tarihini, \u00f6zelde K\u00fcrt tarihini ve \u00e7ehresini ele al\u0131rken, olay ve olgular, karakterler m\u00fcthi\u015f bir se\u00e7icilikle ayr\u0131\u015ft\u0131r\u0131lm\u0131\u015f, onlarca kaynaktan ara\u015ft\u0131r\u0131l\u0131p derlenen bilgi k\u0131r\u0131nt\u0131lar\u0131 yazar\u0131n potas\u0131nda yo\u011funla\u015farak yal\u0131n ve romans\u0131 bir tarih okumas\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015f. Tarihsel toplumun ser\u00fcvenini Mezopotamya'n\u0131n kadim topraklar\u0131n\u0131n hakikat g\u00f6zeneklerinden dam\u0131tarak do\u011fru bir tarih bilgisine ula\u015fmaya \u00e7al\u0131\u015f\u0131r. \u00d6zg\u00fcrl\u00fck sevdas\u0131 kendisini tarihsel anlam aray\u0131\u015f\u0131nda bulurken, mensubiyeti oldu\u011fu toplumsal yap\u0131n\u0131n hakikate en yak\u0131n toplumsal zihniyete, g\u00fczelli\u011fe ve akla sahip oldu\u011funu g\u00f6r\u00fcr ve bunun hu\u015fusunu ya\u015far. O tarihe y\u00f6neldik\u00e7e alg\u0131 g\u00f6zleri a\u00e7\u0131l\u0131r. Yazar tarihsel yolculu\u011funda buldu\u011fu izleri getirip kitab\u0131n\u0131n sat\u0131rlar\u0131na koyar ve okuyucu o izleri takip ederek kendi varl\u0131\u011f\u0131n\u0131n g\u00fczelli\u011fine a\u00e7\u0131l\u0131r. \u00d6zelde K\u00fcrt tarihi konu edilse de, esasen tikel olgunun evrenselle\u015fme seyrini konu edinir. K\u00fcrtlerle evrensel tarihin (toplumsal) ilk kanat \u00e7\u0131rpan kelebekleri olarak kar\u015f\u0131la\u015f\u0131r\u0131z. Toplumsal ger\u00e7ekli\u011fin d\u00fc\u015f\u00fck do\u011furdu\u011fu pi\u00e7le\u015fmi\u015f uygarl\u0131k tanr\u0131s\u0131n\u0131n t\u00fcm yarat\u0131mlar\u0131yla kutsall\u0131klar\u0131ndan soyundu\u011fu ve \u015feytanla\u015ft\u0131\u011f\u0131 \u00f6zg\u00fcrl\u00fck tarihi okumas\u0131nda g\u00f6rebiliyoruz. \u0130nsan bir tarih karma\u015f\u0131\u011f\u0131d\u0131r. Ge\u00e7mi\u015fe y\u00f6nelen okur yitirilen kendili\u011fini ay\u0131klamaya koyulur, zihninde ve y\u00fcre\u011finde ye\u015feren ayr\u0131k otlar\u0131n\u0131 k\u00f6kten bi\u00e7er. A\u011f\u0131rla\u015ft\u0131r\u0131lm\u0131\u015f m\u00fcebbet hapis cezas\u0131n\u0131 \u00e7ekmekte olan \u0130brahim Tikan, Na Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131nlanan &quot;\u00d6zg\u00fcrl\u00fck Tarihi&quot; isimli eserinde toplumsal perspektifle sadece bir toplumun ge\u00e7mi\u015fine de\u011fil, ayn\u0131 zamanda tikel \u00f6zg\u00fcrl\u00fck yoksunlu\u011fumuzu mazinin toplumsal \u00f6zg\u00fcrl\u00fck yitiminden su y\u00fcz\u00fcne \u00e7\u0131kar\u0131r. Kitap ayn\u0131 zamanda Ortado\u011fu halklar\u0131n\u0131n direni\u015f tarihi olarak da okunabilir.\">Yunus \u00c7i\u00e7ek -Yeni Ya\u015fam Gazetesi\u00a0<\/a><\/p>\n<p><a href=\"https:\/\/www.nayayinlari.com\/index.php?route=product\/product&amp;search=%C3%B6zg%C3%BCrl%C3%BCk&amp;product_id=99&amp;search=%C3%B6zg%C3%BCrl%C3%BCk\">\u00d6zg\u00fcrl\u00fck Tarihi kitab\u0131n\u0131 elde etmek i\u00e7in\u00a0\u00a0\u00a0 www.nayayinlari.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130brahim Tikan, Na Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131nlanan &#8220;\u00d6zg\u00fcrl\u00fck Tarihi&#8221; isimli eserinde toplumsal perspektifle sadece bir toplumun ge\u00e7mi\u015fine de\u011fil, ayn\u0131 zamanda tikel \u00f6zg\u00fcrl\u00fck yoksunlu\u011fumuzu mazinin toplumsal \u00f6zg\u00fcrl\u00fck yitiminden su y\u00fcz\u00fcne \u00e7\u0131kar\u0131r &nbsp; Tanr\u0131 fikrinin insan varl\u0131\u011f\u0131ndan ger\u00e7ekle\u015fmesini konu edinen \u0130brahim Tikan&#8217;\u0131n &#8220;\u00d6zg\u00fcrl\u00fck Tarihi&#8221; isimli eseri ge\u00e7mi\u015fin derinliklerine k\u00f6k sald\u0131k\u00e7a zindan\u0131n darac\u0131k bir h\u00fccresinde de olsa kendi meyvelerini<\/p>\n","protected":false},"author":2,"featured_media":258,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[150,116,110,112,118],"class_list":["post-257","post","type-post","status-publish","format-standard","has-post-thumbnail","category-degerlendirme","tag-ibrahim-tikan-ozgurluk-tarih","tag-kurd-tarihi-tr","tag-kurdistan-tarihi","tag-kurtler","tag-ozgurluk-tarihi-tr"],"_links":{"self":[{"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=\/wp\/v2\/posts\/257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=257"}],"version-history":[{"count":4,"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=\/wp\/v2\/posts\/257\/revisions"}],"predecessor-version":[{"id":262,"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=\/wp\/v2\/posts\/257\/revisions\/262"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=\/wp\/v2\/media\/258"}],"wp:attachment":[{"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.nayayinlari.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}